Authors
- Nikitina Alexandra Borisovna Ph.D. in Art History
- Rossinskaya Anastasia Nikolayevna Ph.D. in Pedagogy
Annotation
This research explores the professional demand for graduates of master’s programmes in drama pedagogy to describe and systematise the educational spaces and situations where its practices are currently relevant and to forecast its further integration into education. Surveys and focus groups reveal that practices of drama pedagogy are most widely sought in non-formal education, including within the broad spheres of inclusion, culture, leisure, and extracurricular education. The study also notes a growing penetration of these practices into general education and higher education. The methods of drama pedagogy prove particularly valuable for achieving meta-subject and personal learning outcomes, specifically for developing «soft skills», emotional intelligence, and communicative competencies. The study concludes that drama pedagogy represents a rapidly developing field within modern pedagogy, one capable of addressing numerous challenges of the contemporary social situation.
References
1.
1. Klimova, T., & Nikitina, A. (2020). Pedagogia teatrale russa: La nascita di una personalità nello spazio del dramma. Agita Teatro. https://www.agitateatro.it/wp-content/uploads/2020/11/Saggio-pedagogia-teatrale-russa.pdf
2.
2. Klimova, T. A., & Nikitina, A. B. (2020). Drama pedagogy in the city: informal sources of education. Moscow: MGPU. (In Russ.). https://www.elibrary.ru/item.asp?id=SQBBID
3.
3. Ershova, A. P., & Bukatov, V. M. (2021). Directing a lesson, communication and teacher’s behaviour. Textbook for experienced and beginner teachers. Moscow: Educational projects. (In Russ.).
4.
4. Rossinskaya, A. N., & Klimova, T. A. (2023). Discussion practicies in teen parents‘ filmclub. Pedagogical review, 4(50), 45–59. (In Russ.). https://doi.org/10.23951/2307-6127-2023-4-45-59
5.
5. Nikitina, A. B. (red.). (2001). Theatre where children play. Textbook for children thatre’s leaders. Moscow: Vlados. (In Russ.).
6.
6. Bukatov, V. M. (2024). The method of simple physical actions by K. С. Stanislavsky’s method of simple physical actions by K. S. Stanislavsky at a school lesson — a “golden key” to learning and cognitive activity? Or degenerative “movement”? The first talk in the series on the psychology of game, game behavior and game methods of learning. New in Psychological and Pedagogical Research, 1(72), 108–130. (In Russ.). https://doi.org/10.51944/20722516_2024_1_108
7.
7. Klimova, T. A. (2021a). Directing the educational space of personality development. Lifelong Education, 3(37), 20–23. (In Russ.).
8.
8. Klimova, T. A. (2021b). Directing an educational event: tools of theater pedagogy. In: Psychology of creativity and giftedness. Collection of articles of the All-Russian scientific and practical conference with international participation (Moscow, November 15–17, 2021) (p. 172–176). Assotsiatsiia tekhnicheskikh universitetov. (In Russ.).
9.
9. Kakharov, A. S. (2021). Social theater as an innovative technology of social work. Bulletin of Scientific Thought, 6, 911–913. (In Russ.). https://doi.org/10.34983/DTIPB.2022.67.46.001
10.
10. Sheremet, A. N. (2023). Social theater in Russia as a social field: to the statement of the problem. Society: sociology, psychology, pedagogy, 10(114), 20–25. (In Russ.). https://doi.org/10.24158/spp.2023.10.2
11.
11. Zhabrovets, M. V., & Pavlova, T. V. (2024). Theater laboratory as a “mask” and environment for improving the quality of life of teacher and student. Education and quality of life, 1, 60–62. (In Russ.).
12.
12. Polukhina, E. V., & Derezovskaia, V. D. (2022). Practices of inclusive theater in Russia: an analysis of meanings for participants and potential for social change. Journal of Social Policy Research, 20(4), 557–572. (In Russ.). https://doi.org/10.17323/727-0634-2022-20-4-557-572
13.
13. Akishina, E. M., Alekseeva, L. L., Bodina, E. A., i dr. (2017). Pedagogy of art and contemporary art education. A monograph (E. M. Akishina, Ruk. proekta; L. L. Alekseeva, Nauch. red.; E. V. Boiakova, Editor-in-Chief.). Moscow: Tvorcheskii tsentr Sfera. (In Russ.).
14.
14. Vishniakova, V. P. (2023). The role of school theater in the formation of communication culture of younger schoolchildren. In: New solutions in education in the era of change. Proceedings of the IV Scientific and practical student conference (p. 103–109). Moscow: Moscow City University. (In Russ.).
15.
15. Klimova, T. A. (2023). Educational potential of theater and pedagogical practices. National Psychological Journal, 18(3), 183–190. (In Russ.). https://doi.org/10.11621/npj.2023.0318
16.
16. Kukushkin, V. V. (2023). On the creation of an event-based child-parent community. In: Magical suitcase. Methodical materials for teachers and not only (pp. 221–237). Moscow: Moscow City University. (In Russ.).
17.
17. Boschetti, A., Galván, L., & Goya, D. (2024). El mago de las tablas. El teatro y el legado de Carlos Tolentino. Universidad Peruana de Ciencias Aplicadas (UPC).
18.
18. Frabetti, R. (ed.). (2023). Il bambino spettatore — Children spectator. Edizioni Pendragon.
19.
19. Staina, O. A. (2024). Theatrical events in the space of general educational organization: theory and practice. Moscow: DirectMEDIA. (In Russ.).
20.
20. Integration of the content of the subjects “Literature” and “History” with the activities of school theaters. (2023). In: Dobrotina, I. N. (Red.). Monograph (80 p.). Moscow: Institut strategii razvitiia obrazovaniia. (In Russ.).
21.
21. Tkachenko, A. A. (2024). Lessons of literature and theater: possibilities of the digital age. Linka-Press. (In Russ.).
22.
22. Mashevskaia, S. M., & Lur’e, Z. A. (2024). The theater of Jan Amos Comenius. Moscow: Sovpadenie. (In Russ.).
23.
23. Grigor’eva, O. A. (2021). School theater pedagogy. Moscow: Izdatel’skaia gruppa URSS. (In Russ.).
24.
24. Water Van de, M. (2021a). Drama in education: Why drama is necessary. SHS Web of Conferences, 98, Article 02009. https://doi.org/10.1051/shsconf/20219802009
25.
25. Water Van de, M. (2021b). Russia — social theatre. In: International Perspectives on Drama and Citizenship Education (pp. 19–29). Routledge. https://doi.
org/10.4324/9781003058144
26.
26. Water Van de, M. (2023). Theatre and drama: Global perspectives. In: The Routledge Companion to Children’s Literature and Culture (pp. 164–176). Routledge.
27.
27. Strejčková, H. (2021). Possibilities of theatrical pedagogy in solving problems of social sphere. SHS Web of Conferences, 98, Article 02008. https://doi.org/10.1051/shsconf/20219802008
28.
28. Strejčková, H. (2022). Poetic, playful and creative body in theatrical pedagogy. In: Education and City: Quality Education for Modern Cities, 3, 134–141. European Publisher. https://doi.org/10.15405/epes.22043.13
29.
29. Lama, D., Dahal, N., & Sunar, P. K. (2024). Drama-based pedagogy for preschoolers: A narrative inquiry of Nepali educators. Journal of Childhood, Education & Society, 5(3), 319–328. https://doi.org/10.37291/2717638X.202453414
30.
30. Balabuch, A. (2021). The French Play: An Ethnodrama About Applied Theatre for Social Justice Education in Middle School. In education, 26, 92–113. https://doi.org/10.37119/ojs2021.v26i2.487
31.
31. Liu, D. (2022). The application of drama in education to English teaching in junior high school. Frontiers in Humanities and Social Sciences, 2(10), 191–196. https://doi.org/10.54691/fhss.v2i10.2477
32.
32. Timpilis, D. (2021). Teaching nature of science through the high school production of the theatre play Life of Galileo, by Bertolt Brecht. Pre-print.
33.
33. Khairani, M., Ibrahim, M. N., Aleha, C., & Abd Arif, H. (2020). Integration of theatre game approach in visual art education at the secondary school setting. Psychology and Education, 57(8), 193–205.
34.
34. Irugalbandara, A. I. (2025). Developing creativity and adaptability skills in junior secondary school students in Sri Lanka. Journal of Innovative Practices in Education, 1(1), 106–140. https://doi.org/10.4038/jipe.v1i1.5
35.
35. Hong, R., & Hong, Y. (2022). Experience, Imagination and Integration: Creative Drama for Values Education. Sustainability, 14(18), 11113. https://doi.org/10.3390/su141811113
36.
36. Xu, J., & Yang, T. (2022). “Facing the Challenge” — Drama and Citizenship Education in China. Cultural Arts Research and Development, 1(1), 33–37. https://doi.org/10.55121/card.v1i1.11
37.
37. Alfandari, N. (2021). Changing the terms of engagement — Reflecting on the use of image theatre in research with secondary school students. In: Proceedings of ECER 2020. NW 29. Research on Arts Education. European Educational Research Association.
38.
38. Grandi, G. L. (2022). Theatre as method: Performance creation through action research. Action Research, 20(3), 245–260. https://doi.org/10.1177/1476750321993530
39.
39. Forysiewicz, B. (2020). The forum theatre in the prevention of exclusion from a peer group in the school space. Journal of Education Culture and Society, 11(2), 335–342. https://doi.org/10.15503/jecs2020.2.335.342
40.
40. Thambu, N., Ganesan, S., & Zulkufli, M. (2020). The use of forum theatre as creative pedagogy in teaching and learning of moral education in secondary schools in Malaysia. EPRA International Journal of Multidisciplinary Research (IJMR), 6(9), 315–324.
https://doi.org/10.36713/epra4961
41.
41. Thambu, N., Othman, M.K., & Naidu, N.B. (2020). Using Forum Theatre to Develop Various Levels of Thinking Skills among Moral Education Students in Secondary School. Turkish Journal of Computer and Mathematics Education (TURCOMAT).
42.
42. Nadarajan, T., Mohamad Khairi, H. O., & Noor Banu, M. N. (2020). Using forum theatre to develop various levels of thinking skills among moral education students in secondary school. Malaysian Journal of Learning and Instruction, 17(2), 167–194.
https://doi.org/10.32890/mjli2020.17.2.6
43.
43. Kvale, S. (2003). Research Interview. Moscow: Smysl. (In Russ.).
44.
44. Busygina, N. P. (2011). Methodology of qualitative research in psychology. Moscow: MGPPU.
45.
45. Giorgi, A. (2019). Reflections on certain qualitative and phenomenological psychological methods. University Professors Press.

